Tacit or Loud: where is the knowledge in art?
Symposium and festival for artistic research
Nov 16-Dec 3

Dec 2
Fabio Monni and Malin Astner

Can space be scaled by sound and body? How can the experienced space differ? How the body and the synchronized/desynchronized sound impulses reshape the stage of the performance?

The music composition is based on a six channels pink noise fast impulses, which interact with the dancer on three basic relations: connection – opposition – independence. The fast sound impulses create different geometries in the room (in between the speakers) and sustain and justify, by their level of synchronization, the presence of the physical performance. There is no stage and people will be free to move and explore the space of the performance, where the the audience's perspective will be changed, from observer to observed

Concept by Fabio Monni and Malin Astner


Tacit or Loud

Festival program

– Inside/outside
– Post human computation
Arrival Cities: Hanoi
– The Fourth Dimension
– Vodou [...] 
– Il Se Tourna
Possible Worlds
– Face
– Inde
– Choreo Graphia
– Facet II
– Portraits

– Voices-of-No(i)sense
– [choreo] logy ⏐ carto [graphy]
– Reiterations of Dissent
– Body on street
– För den som i hemlighet lyssnar
– Gynoides project
– Violence and Pedagogy
– Knowing "I"?
– That’s all we shall no for truth
- Through Composition as Explanation
– Synsmaskinen

Symposium Nov 28-Dec 3
– Nov 28
– Nov 29
– Nov 30
– Dec 1
– Dec 2
– Dec 3

– Keynote speakers
– Presenters